23 Apr 2012

Region 0. The Latino Video Art Festival of New York Tour Exhibitions

The Latino Video Art Festival of New York, which took place on March 2011 at NYU's King Juan Carlos I of Spain Center, curated by Eva Mendoza Chandas and organized by Laura Turégano and Eva Mendoza will be traveling to different places around the world during the next months. Region 0 will be at Puerto Vallarta, Mexico; Buenos Aires, Argentina; Vigo, Spain; Tenerife, Spain; and Washington, DC, United States.

Upcoming tour exhibitions, venues and dates:

AMA. Art Museum of the Americas. Washington, DC. United States.
April 26, 27, 28. 2012. 10am-5pm.
http://museum.oas.org/

Festival Close Up. Cuale Cultural Center . Puerto Vallarta. Mexico.
May 3,4, 5. 2012.
www.closeupvallarta.com

Contemporary Art Gallery Canary Islands Government. El Tragaluz Digital. Santa Cruz de Tenerife. Spain.
May- September 2012.
Session 1. From 11 May to 24 June 2012.
Session 2. From July 6 to September 2, 2012.
http://www.gobiernodecanarias.org/cultura/arte/sac/pg/tragaluz.html 

MARCO. Museo de Arte Contemporáneo de Vigo. Spain.
July 3 - September 2, 2012.
http://www.marcovigo.com

Centro Metropolitano de Diseño. Buenos Aires. Argentina.
October 15 – 21. 2012. Cities in City: NY en BA.
http://www.cmd.gov.ar 


Participating artists:
Gwenn Joyaux, Momu & No Es, Txuspo Poyo, Antonio Savinelli, José Vicente Navarro López, Marcos Calvari, Patricio Ponce, Juanma Carrillo, Félix Fernández, Jorge Catoni, Diana Larrea, Gianfranco Foschino, Albert Merino Gómez, Lois Patiño, Caroline Conejero, Mario Sarramián, Mar Caldas, Manuel Molina Martagon, Verónica Ruth Frías, Cyro García, Laura F. Gibellini, Alejandro Ramírez Ariza, Carlos Aguasaco, Sergio Roger, Andi Rivas, Iván Cortázar, Marco Casado, Nicky Enright, Brais García, Raul Gomez Valverde, Vicente Blanco, Lucia Warck-Meister, Mario Sarramián, Estibaliz Sabada, Esther Achaerandio, Mireia Feliu Fabra, Lucas Borras, Suso33, Yaco Neches, Laia Cabrera, Erica Glyn and Isabelle Duverger.

About
Region 0 showcases current trends in the field of video art, highlighting the distinct conceptual and technical approaches of the participating creators.
The festival gives visibility to the different perspectives of the creators, who reflect a complex and dynamic sociocultural context where historical, conceptual, economic and technological factors converge.
In some cases this vision translates into works like Deriva sobre la Práctica Artística (2008) by Estíbaliz Sábada, where the artist utilizes the art world to highlight repetitive social patterns within a profesional field that is supposed to be transgressive. Verónica Ruth Frías and Cyro García work through this same idea in Tonto el Que lo Lea (2010), a work inspired by the interaction between gallerists, artists, critics and audience. Will it Blend? (2010) by Raúl Gómez Valverde relates viral marketing strategies to philosophy and critical theory so as to interrogate all these creative processes.
In the same way, Diana Larrea in her video performance Geofagia o la Dieta del Artista (2008) uses art antecedents to make reference to the professional situation of artists. This concern is addresed in a very different fashion in Transacción (2008) by Patricio Ponce and in If I Come Back to This Life I Want to Be an American Dentist (2011) de Manuel Molina Martagón.
In other cases, like This Leak (2011) by Félix Fernández and Juanma Carrillo, marketing strategies are embedded in the work itself, which becomes a hybrid mix of music video and art piece. Transforming (2009) by Carolina Conejero uses this same idea in its most experimental mode.
Works like Facebook (2010) by Andi Rivas, Crash! by Suso33, TypeSeries by Lucas Borras, Next by Brais García, and Compresión a Trescientas Cincuenta y un Veces El Tiempo de los Cien Mejores Videoclips Según MTV (2010) by Marcos Calvari incorporate languages related to the mass media and cultural phenomena, giving them a subversive twist.
The concepts of landscape and cityscape are explored via travel in the works by Yaco Neches and Iván Cortázar, and in relation to temporal perception by Lois Patiño and Gianfranco Foschino, while Albert Merino, José Vicente Navarro López, Laia Cabrera, Erica Glyn, Isabelle Duverger and Mar Caldas relate them to visual perception, and Gwenn Joyaux, Marco Casado, Mario Sarramián and Antonio Savinelli use them as a starting point for arriving at a position closer to the imaginary.
In Contrato Para Paisaje nº2 (2010) Vicente Blanco addresses the landscape in territorial terms, focusing on its evolution. Other artists who establish a historical dialogue are Txuspo Poyo, who in Delay Glass (2007) restores virtually Marcel Duchamp's unfinished work The Great Glass, and Verónica Ruth Frías who in Give Me Your Blood, Thanks (2010) reproduces an exchange of knowledge with the mythical Mexican artist Frida Kahlo.
Also present is the concept of the boundary between two universes, moving from the sober, raw street reality shown by Nicky Enright to the abstractions of Lucía Warck-Meister, passing along the way through a number of individual positionings in works like Medialengua (2010) by Carlos Aguasaco, Porotito Granado (2010) by Jorge Catoni, Mohai (2010) by Momu & No Es, L.A.K. Love by Sergio Roger, Identity by Mireia Feliu Fabra, Afirmaciones para atraer el amor by Esther Achaerandio, The Book of the Fragile World (2007) by Laura F. Gibellini, and El Camino Más Largo (2011) by Alejandro Ramírez Ariza. All of these works show personal conflicts or marginal characters who oscillate between opposing poles, in some cases producing a humorous, absurd parody.