Innovative Approaches to Curating - Online course by Node Center
Expanding Exhibitions: Innovative Approaches to Curating
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Info
Online course by Node Center Application deadline: July 15th, 2014 Duration: From July 23rd to August 13th, 2014 Participation fee: 145 euros
Contact
Address
http://www.nodecenter.org
Node Center for Curatorial Studies
Oranienstr. 24
Berlin 10999
Germany
Expanding Exhibitions: innovative approaches to curating
Online course by Node Center
Lecturer: Lauren Reid
Duration: From July 23rd to August 13th, 2014
Application deadline: July 15th, 2014
Full information: www.nodecenter.org/expanding-exhibitions/
This course will explore interesting strategies in exhibition-making and ways of thinking about curating by sharing a wide variety of innovative curatorial approaches that are designed to inspire. Expanding Exhibitions is for emerging and established curators who want to open up ways of thinking about their practice from the white cube and beyond.
This course will track significant moments in curatorial history and stimulating case studies, but rather than covering the field chronologically, it will instead focus on key themes and debates within exhibition-making such as the role of the curator, working with time-based media, exhibiting outside the art space and thinking globally. It will cross both inventive exhibition strategies as well as curatorial ethics that will provide opportunity for lively debate and the sharing of ideas between each other each week.
Participation fee: 145€
Language: English
Enroll here, you will receive payment instructions after enrolling:
*Online material available 24/7 during the duration of the course and 4 weekly video-conferences every Wednesday at 7pm Central European Time
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PROGRAM
Week 1: The role of the curator
Definitions of a curator
Key figures in curatorial history who have shaped the zeitgeist
The artist as curator as artist – where do we draw the line?
Week 2: Curating time-based media
Technical strategies for exhibition video and performance
Navigating a space and telling a story
Is the gallery the best place for time-based media? What are the alternatives?
Week 3: Outside the white cube
Where can we curate?
Working with a minimal budget
Ephemeral projects
What about the audience? Who, where, how?
Week 4: Beyond borders – curating the globe
Examples of global thinking: World Fair, Biennales, the museum
Communicating cultures – ethics
How does context affect content?
Tackling the political
Thinking interdisciplinarily – benefits and problems
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CONTACT
courses@nodecenter.org
www.nodecenter.org