BBK-Bildungswerk: Professionalization Program for all visual artists in Berlin
(c) Frieder Schnock, Berlin / VG BildKunst |
Workshops / Seminars
|
Info
program director: Dr. Frieder Schnock
Contact
info@bbk-bildungswerk.de
Jole Wilcke / Kerstin Karge / Michael Nittel
+4930230899.40 or .49
Address
http://www.bbk-bildungswerk.de/con/cms/front_content.php?idcat=107
Bildungswerk des BBK Berlin
Koethener Str. 44
10963 Berlin
Germany
Workshops for English speaking artists in Berlin:
Venue for all the following workshops and seminars
at
bildungswerk des bbk berlin
Köthener Str. 44 (near Potsdamer Platz)
10963 Berlin, Germany
ph +4930230899.40 or .43
info@bbk-bildungswerk.de
www.bbk-bildungswerk.de
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Copyright and the Arts – Dr. Miriam Kellerhals
Tuesday, November 08, 2016, 11 am - 2 pm
The training offers relevant information on German copyright law with excursions to US copyright law. It gives participants the knowledge to assess whether or not a creation is eligible to copyright protection and under which conditions copyrighted works may be legally used without the creator's consent. Participants are exposed to case law to enable them to successfully handle artists' related questions of copyright law.
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ART TALK: Essential English for the Art World – Johanna Thompson
November 14, 2016 von 11 am - 3 pm
Talking about your work is difficult enough in your native language, but in an increasingly globalized art world being able to represent yourself well in English has become imperative.
In this workshop we will look at essential vocabulary for discussing your art practice, learn to understand standard art jargon and practice representing yourself and your work in spoken and written form. We will also spend some time exploring the value of small talk in the English speaking art world.
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Why not come to my studio? – Dr. Helen Adkins
Wednesday, November 16, 2016, 12 - 4 pm
You are expecting a visitor in your studio and want to give a perfect presentation.
A collector or curator has shown an interest in your work and you would like to invite him/her.
You have just completed a new work and need a professional opinion.
What should you show, and how?
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InDesign: Workshop for Beginners – Rocco Park Visual Communication
Saturday + Sunday, November 19 + 20, 2016, 10 am - 4 pm
at Kunstquartier Bethanien, Druckwerkstatt, Mariannenplatz 2, 10997 Berlin-Kreuzberg
Publications and presentations are essential aspects of working in creative industries. This workshop will cover all the basic aspects of creating a document ready to be published, both in print and online. Participants will become familiar with the workspace and workflow, and learn about advanced functions of the InDesign-program while working on practical examples. The goal of the workshop is to assist participants in learning the essentials of InDesign and begin creating professional-looking layouts on their own.
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AutoCAD – Diego Orlandi
Thursday, November 24 and Thursday, December 01, 2016, 5-9 pm
There will be tasks in your life as a professional artist when you need this program.
The most commonly used means of technical drawing with a computer in the past 20-30 years has been AutoCad, available in many different versions and many languages. In this introduction course for AutoCad you'll get the basic information on how to get you started with a basic, time limited, free version in English. Basic 2D software functions, shortcut commands, and technical drafting principles will also be introduced during those two days.
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Fraud, Corruption, Good Connections: Berlin's Art in Public Space Program – Martin Schönfeld
Monday, December 5, 2016, 4-7 pm
Berlin's Art in Public Space Program: Competitions, Juries and Commissions.
There are a lot of unknown issues concerning art competitions. This workshop will cast light on Berlin's Art in Public Space Program. The following questions – and more – will be answered during this session: Who can participate ? Where do I have to apply ? How do I learn about open competitions ? Where can I send my portfolio ? Who is picking the artists ? How can I improve my participation possibilities ? How do juries work ? Do I need to have realized projects in public space already ? More Q&A !
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Editions and Multiples – Dr. Helen Adkins
Wednesday, December 7, 2016, 12-4 pm
The motivation to produce this kind of artwork is often of a financial nature. Looking for a more accessible market segment implies that you have to think about commercial strategies. It is not because your work is „small and cheap' and that it will aically sell well. How do I choose the motif, size, and number of copies? What is special about producing a three-dimensional multiple? Following a general introduction, we will discuss your specific questions.
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INFO & APPLICATION:
> www.bbk-bildungswerk.de > workshops & seminars
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Those workshops for professional artists in Berlin are supported by the European Social Fund (ESF).
The subsidies are the basis for very low participation fees and for the lecturers' honorarium. Therefore, prior to the workshop each participant must give some information on his/her person. All your data are subject to data protection and will be passed on depersonalized to the ESF administration in order to fulfil the evaluation and reporting obligations.